五十嵐大地 Daichi Igarashi

Profile

1996 東京生まれ
2016 東京藝術大学絵画科油画専攻入学
2022 東京藝術大学大学院絵画専攻油画研究分野修了

1996 Born in Tokyo
2020 B.A in Painting, Tokyo University of the Arts
2022 M.F.A in Painting, Tokyo University of the Arts

Experience

個展歴
2021年「五十嵐大地個展　gjallarhorn」 biscuit gallery (東京)

グループ展
2021年「第6の予言 The 6th prophecy -The first sentence-」REAL by ArtSticke　KITTE丸の内 (東京)
2022年「或る絵肌ー物語るマチエールー」日本橋三越本館美術サロン(東京)

Solo exhibitions
2021 “Daichi Igarashi Solo exhibition　gjallarhorn” biscuit gallery (Tokyo)

Group exhibitions
2021 “The 6th prophecy -The first sentence-” REAL by ArtSticke KITTE Marunouchi (Tokyo)
2022 “A painting surface: matière that narrates” Nihonbashi Mitsukoshi Art salon (Tokyo)

Statement

素材を置き換えること、撮影しモニターに映し出すこと、キャンバスに描くこと。形を変え表現されるイメージは、頽廃と再構築を繰り返しながら、対象の宿す不変性を描き出します。
制御不能な事象を受け入れ自らの手で行う一連の製作を通し、絶え間無く変化を続ける環境と呼応する、絵画上のリアリティを思索しています。

Substituting materials, photographing and projecting on a monitor, drawing on a canvas. The images expressed in different forms depict the immutability of the subject while repeating decay and reconstruction.
Through a series of self-made productions accepting uncontrollable phenomena, I contemplate a pictorial reality that responds to the ever-changing environment.

Testimonial

油画の卒業制作展を見に上野に行った、最後に博士課程の展示も見ようと夕暮れ迫る校舎に急いだ。作家の意図だと思うのだが夕闇迫る教室に照明は無く、自転を急ぐかのような惑星が急速に太陽の力を失わせる夕闇のなかで、圧倒的な存在感で文明の終焉を指し示すかのような絵画に遭遇する。ギリシャローマの美術と歴史に否応なく吸い寄せられる僕は、深々とした闇に、時のすぎるのを忘れるところであった。運よく作家と語り合えた事で結果的に過剰な妄想は中和されたのだが、そのことによってジュリアン・ジェインズの「神々の沈黙」に提示された二分心の呪力が薄れる事は無かった。半年を経ても記憶に焼きついている彼の作品にまた会いたいと願うのである。

（椿昇）

I went to Ueno to see the graduation exhibition for oil painting, finally rushing to the school building with the sun already setting to also see the Masters exhibition. Probably deliberate on part of the artist there were no lights in the classroom that was already darkening, and in the midst of dusk as the sun was quickly losing its power to the planet rushing to rotate, I encountered a painting that seemed to indicate with utter magnificence the decease of civillisation. As someone magnetically drawn to the Greco-Roman art and history, I was about to forget time in the deep darkness. Luckily as a result of getting to talk to the artist, excessive delusions were neutralised, but it did not weaken the magic of the bicameral mentality, as presented by Julian Jaynes in his The Origin of Consciousness in the Breakdown of the Bicameral Mind. I pray to see his work again, still burnt into my memory after half a year has passed.

（Noboru Tsubaki）